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・ Potoče, Divača
・ Potoče, Preddvor
・ Potočić
・ Potočnik
・ Potoška Vas
・ Potpeće
・ Potpeće, Foča
・ Potpeće, Pljevlja
・ Potpie (musician)
・ Potpisani
・ PotPlayer
・ Potpolje
・ Potporanj
・ Potpourri
・ Potpourri (disambiguation)
Potpourri (music)
・ Potpourri (P-Model album)
・ Potpourri (The Thad Jones/Mel Lewis Orchestra album)
・ Potpourri No. 4 (Spohr)
・ Potpourrii
・ Potrace
・ Potraga za zmajem
・ Potravlje Fortress
・ Potreb
・ Potrekhnovo
・ Potrerillo
・ Potrerillos
・ Potrerillos Abajo
・ Potrerillos Arriba
・ Potrerillos Dam


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Potpourri (music) : ウィキペディア英語版
Potpourri (music)

Potpourri or Pot-Pourri (; French, literally "putrid pot") is a kind of musical form structured as ABCDEF..., the same as medley or, sometimes, fantasia. It is often used in light, easy-going and popular types of music.
This is a form of arrangement where the individual sections are simply juxtaposed with no strong connection or relationship. This type of form is organized by the principle of non-repetition. This is usually to be applied to a composition that consists of a string of favourite tunes, like a potpourri based on either some popular opera, operetta, or a collection of songs, dances, etc.
The term has been in use since the beginning of the 18th century, or to be more specific, since it was used by the French music publisher Christophe Ballard (1641–1715) for the edition of a collection of pieces in 1711. In the 18th century the term was used in France for collections of songs which, with a thematic link, were sometimes given stage presentation. Later the term was used also for instrumental collections, like the "Potpourry français", a collection of originally unconnected dance pieces issued by the publisher Bouïn.
Potpourris became especially popular in the 19th century. The opera overtures of French composers, such as François-Adrien Boïeldieu (1775–1834), Daniel Auber (1782–1871) and Ferdinand Hérold (1791–1833), or the Englishman Arthur Sullivan (1842–1900) belong to this type. Richard Strauss called the overture to his ''Die schweigsame Frau'' a "pot-pourri".
The "overtures" to light modern stage works (e.g. operettas or musicals) are almost always written in potpourri form, using airs from the work in question. There is usually some structure to the order presented though. The opening is usually a fanfare or majestic theme (presumably the supposed hoped-for most popular song number), followed by a romantic number, then a comical number; and finally a return to the opening theme or a variation thereof.
== More examples ==
The Italian guitar virtuoso Mauro Giuliani, (1781–1829) entitled a number of his works "potpourris":
''Potpourri'', Opp. 18, 26, 28, 31, 42, and ''Potpourri Romano'', Op. 108
There are many more pieces called "potpourris":
* Louis Spohr: Potpourri No. 2 on themes by Mozart for violin, string quartet & double bass in B flat major, Op. 22
* Louis Spohr: Potpourri No. 4 on themes by Mozart for violin & string trio in B major, Op. 24
* Louis Spohr: Potpourri for Clarinet and Orchestra on themes by von Winter in F major, Op. 80
* Johann Strauss: Potpourri Quadrille
* Ernst Krenek: Potpourri, Op. 54 for symphony orchestra
* Georges Bizet/ John Philip Sousa, ''Carmen (Grand Potpourri)''
* Giacomo Meyerbeer's ''L'Africaine Potpourri''
* André Rieu: Opera Potpourri (2003)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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